Kansas City Horror Play Festival 2022

My play, American Horror Story has been selected for the Kansas City Horror Play Festival 2022!

American Horror Story will be directed by Curtis Smith and feature Karla Fennick, Spencer Thompson, Frederick Rivera and Alica Lynn.

I was last featured as a playwright in the Kansas City Horror Play Fest in 2017. I was involved as a director the following year.

“The Living Theatre and Erika Baker present the return of the annual Kansas City Horror Play Festival!

Thrill and chill with a ghoulish spread of original short horror plays written, designed, and performed by KC artists!

The festival consists of two full nights, each performed twice. Get your ticket to one for $20, both for $35!

Show starts at 8, doors open at 7. Pre-show features a makers fair with specialty drinks and local merchants!

It all happens at Upside Bungee in the West Bottoms:

1101 Mulberry St, Kansas City, MO 64101.”

To see my piece, purchase your tickets now for either Thursday or Saturday night.

For more information, check out the event's Facebook page.

New Roles: Standardized Patient Coordinator

Welp. It’s been a while.

A whole pandemic to be exact. (Which technically still isn’t even over.)

I just wanted to share a pretty major life update:

In February 2021, after getting through the pandemic on unemployment and any contractor work I could find, just as I was getting ready to pack my bags and move in with my parents, I applied for a full-time job as a Standardized Patient Coordinator at Kansas University Medical Center. What started out as a part-time standardized patient job turned into my first full-time “big girl” job with a university. I can happily say it’s been a major, positive life change.

Taking on this job allowed me to move into a larger apartment (one whole room larger, to be exact), and in the last year and half, I’ve learned many new skills.

I enjoy my work as an SP Coordinator (it’s very much like being a stage manager) and I especially enjoy the financial stability and security it brings. (Something I’ve never had as an adult since leaving college.)

Although I still plan to write and participate in the odd theater project here and there, I will not be continuing theater full-time. And that’s ok. <3 I’m happy to get to participate as my schedule allows, and enjoy spending more time taking care of myself and spending time with family and friends.

That’s all for now!

2019 Happenings

I have been wanting to write a blog update for weeks now, but illness, pet illness, and plain businesses have gotten in the way. I’m not 100% yet, and neither is my furry companion, but for now I have some time to post updates on what exciting things I’ve been up to and what is still to come.

We opened The Light Burns Blue (2.0) last Thursday. Same play, different cast. It’s been a fun experience to explore this piece in new ways, to take on new characters, and to revisit some old favorites. We have three more shows, this Tuesday-Thursday, all at 10am, all open to the public, tickets only $5.

For more information on this show, check out my post from March, I Do Believe In Fairies.

me as "Frances,” telling the story of the Cottingley Fairies

me as "Frances,” telling the story of the Cottingley Fairies

This past weekend we had rehearsals for the third annual Midwest Dramatist Play Conference. Playwrights from all over the country will be coming to hear their 10-minute plays receive a professional reading, and hear feedback from our panelists. For more information on our panelists and the conference, click here!

Rehearsal in progress for Midwest Dramatist Conference

Rehearsal in progress for Midwest Dramatist Conference

The creative team of my own MDC play, “Dragon Slayers: Quest for the Egg of Armagon.”

The creative team of my own MDC play, “Dragon Slayers: Quest for the Egg of Armagon.”

Rehearsal for Wicked Creatures produced by Confluence Theater Company will start October 1st, so stay tuned for more info on that! Until then, check out these bios and headshots of our fantastic cast!

Casey Jane as Sonia Smithson

Casey

Casey is thrilled to be playing Sonya in Emma’s excellent and unique story. She has been a presence on KC stages since 2013, with notable credits including: The Summer House (KC Fringe 2019), Elephant (Rising Tide Productions), Any Questions? (KC Fringe 2018), Chainsaw the Musical (Kokopelli), The Sarah Play (InHEIRitance Project), Tennessee Playboy (MET), Walls Suck (KC Fringe 2017), and The Death of Cupid (The Living Room theatre). Casey is the co-founder of Rising Tide Productions and works as a producer, marketer, and actor for the company. In her spare time she loves on her fella Bob, son Saxon, and furbeasts Miko & Emo.

Weiyi Zhang as Emily Clearwater

Weiyi

Weiyi is excited and thankful to be a part of this production of Wicked Creatures by Emma Carter. She graduated from the University of Iowa, where she studied Theatre Arts and Marketing; and moved from Iowa City to Olathe last July. She wants to thank people who's been willing to push and challenge her; her dog, Archibald, for his love; and of course her husband, Joseph, for his patience and rock-solid support. Weiyi cannot wait to start the rehearsal process and contribute to this wicked play. See you at show time!

Connor Eastman as Archibald Worthington III

Connor

Connor Eastman is thrilled to be working again with Confluence Theatre, and to be performing in the Living Room Theatre once more. He was previously at Living Room in Elephant, as John the police officer. He has also recently appeared in Scream in Blue for Confluence as part of the Fringe Festival, and as various characters in Honky with the Black Rep. Have a spooky time and remember to support local theatre!

Jamie Lin as Clara Hollowell

Jamie Lin

Jamie Lin is ecstatic to join Confluence Theatre Company for the role of Clara. Though she is often on stage in Kansas City, you might know her better by her burlesque name, Annie-Mae Allure. Jamie is the executive producer of the Kansas City Nerdlesque Festival and the Rude Revue and Burly Q, both nominated for Best of KC 2019 awards. Catch her next production at Daveys Uptown on Nov 16. When not performing or producing, she spends time with her boys (Erik, Braedon, and Matty), playing Wizards Unite, and napping.

Joshua Gleeson as Barnabas Brody

Joshua Gleeson

Joshua Gleeson is so humbled and honored to be a part of Wicked Creatures. You might have seen Joshua this summer in HASF's production of Shakespeare in Love. You will definitely see him this Winter in the Living Room's production of Milking Christmas. However, being able to play an original character created by the incredibly talented Emma Carter's has always been a dream of his. He would like to thank Confluence Theatre, the wonderful Amy O'Connor, and the entire, hard-working cast and crew for creating such a powerful production. Of course, nothing would ever be possible without the love and support from his marvelous wife. Thank you Kaitlynn for all that you do for all that are. I love you!

I Do Believe in Fairies!

Frances and the “Cottingley Fairies”

Frances and the “Cottingley Fairies”

Spring has FINALLY sprung in Kansas City and it couldn’t come soon enough.

We’re two weeks into rehearsals for The Light Burns Blue by Silva Semerciyan. This play, inspired by the true story of the Cottingley Fairies, centers around two young cousins, Elsie Wright and Frances Griffiths, who in 1917, having purportedly taken photographs of real fairies near their home in Cottingley, Rorkshire, were invited by Sir Arthur Conan Doyle (the creator of Sherlock Holmes) to speak at a conference in London about their supernatural encounters. The play was commissioned by Tonic Theatre in partnership with Nick Hern Books as part of Platform, an initiative comprising a series of big-cast plays with predominantly or all-female casts, written specifically for performance by school, college and your-theatre groups, with the aim of addressing gender imbalance and inequality in theatre.

There are 45 speaking roles in this play, divided among five actors. I have the pleasure of playing Frances Griffiths, a dramatic young girl with a penchant for story-telling, Vive, the fun-loving prankster, Madame Blavatsky, an aristocratic theosophist and many more. It’s been such a joy to work on a children’s theater piece again, especially with such rich source material. This script invites us to ask, “Does the world need artists?” (Me: um, yes!) and if so, why?

Cottingley Fairies
The Light Burns Blue

Our production is made possible by StagePlay. StagePlay is an immersive, performing arts field trip for children grades K-8 that adopts a holistic learning approach designed to satisfy Kansas & Missouri State educational standards. StagePlay is singular in its formation, holistic in its practice, and unique to Johnson County. It is the ONLY performing arts, education-based field trip providing three days of classroom curriculum, a theatrical performance, and engagement activities (including S.T.E.A.M.) facilitated through a field-trip model for area school districts.

Content is geared towards grades 3rd-8th.

Our Production Team includes Director Patrick Pribyl, Artistic Director Elena Stephenson, Scenic Designer Morgan Cole, and Costume Designer Arwen White. Our cast includes Lauren Bailey, Matthew Henrickson, Lydia Miller, Jamie Turner, Alex Walters, and myself!

If you want to know more about the true story of the Cottingley Fairies, check out the video below…

Wicked, Beautiful Creatures...

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A BIG “Thank you!” is in order. After one four-hour rehearsal lead by director Emily Swenson, our creative teamed (R.H Wilhoit, Laura Jacobs, Emmy Panzica Piontek, Amy O’Conner, Nick Uthoff, and Chloe Robbins) staged a reading of my play Wicked Creatures. This version is significantly re-written from previous versions I’ve shared. Wicked Creatures received a staged reading as part of the Harold Clurman Division New Playreading Series at the Stella Adler Studio for Acting in New York, NY last summer, and this draft is an improvement from that.

Wicked Creatures centers around three women in the Victorian era: Sonya Smithson, a cross-dressing scientist, determined to create a the ultimate female contraceptive; Emily Clwearwater, a meek yet moral “angel of the house” who dreams of a normal life with husband and child; and Clara Hollowell, a foul-mouthed fallen woman, determined to raise her status in life.

The readings went better than I ever expected and my new goal for this piece is to get it up on its feet, one way or another! So if you’re looking to produce a period piece with strong female characters that explores gender stereotypes, classicism, and a person’s right to their own body, boy do I have a play for you!

Pictured: R.H Wilhoit, Emma Carter, Alisa Lynn, Javier Luna

Pictured: R.H Wilhoit, Emma Carter, Alisa Lynn, Javier Luna

In other news, last night I had the pleasure of dressing up as one of Sterling Witt’s beautiful paintings for his new Explosive exhibit, now on display in Albrecht-Kemper Museum of Art in St. Jospeh, Missouri. It was my goal to embody this beautiful painting, now named “Emma.” I can honestly say I’ve never had, nor did I ever expect to have, a painting named after me and I am so so beyond grateful for the honor. I was joined by many other beautiful women, each embodying a painting of their own. Visit Sterling’s website for more information.

Emma Carter as Emma the painting.

Emma Carter as Emma the painting.

Emma by Sterling Witt

Emma by Sterling Witt

Something Wicked this way comes...

Heads up: From this point on all New Year, No Diet posts will be located on their own page under the “NYND” tab so that I may dedicate this blog space exclusively to sharing information on creative projects.

Like for instance…

A staged reading of Wicked Creatures at the Uptown Arts Bar
3611 Broadway Blvd, Kansas City, MO 64111
6:30pm
Free and open to the public.


Wicked Creatures
 recently received a public staged reading at The Stella Adler Studio for Acting in NYC as part of the Harold Clurman Division New Play-reading Series. It also received a staged reading at The Living Room Theater in Kansas City and was selected for production at TLR as part of Kansas City's Fringe Festival, 2016.

Hope to see you there.

My Disordered Eating Story; From The Biggest Loser to Binging to Brene Brown

TG: eating disorder, disordered eating

You don’t have to read self-help books, see a therapist, or do self-work on a regular basis to be familiar with the term “perfectionist” or “perfectionism.”

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It’s not uncommon for someone to refer to themselves as a perfectionist with a sense of pride, however whenever I hear someone use this term to describe themselves, I cringe interally and make a mental note to buy them a copy of the “The Gifts of Imperfection” by Brene Brown.

New York Times bestselling author and self-described shame researcher Brene Brown might be most commonly know for her viral 2010 Ted Talk on The Power of Vulnerability. It is one of the top five most viewed TED talks in the world. However, that same year she also released her book, “The Gifts of Imperfection; Let Go of Who You Think You’re Supposed to Be and Embrace Who You Are,” which I can’t recommend enough to anyone who has ever felt like a born failure or struggled with shame and self-loathing.

It was the first resource that helped me after I graduated from college, aware that I was engaging in disordered eating and fitness habits, but unsure what to do next.

Mid-way through weight loss

Mid-way through weight loss

Like many, my disordered eating started young, when I was in high school. I identified as a “chubby kid” in late elementary school and all of middle school. I was bullied, not specifically for my weight, but by the time I reached middle school I’d seen enough images of beautiful women on television and in movies, within the pages of shopping catalogues and on the covers of magazines to know being overweight made me worth less on the totem pole of society. With no “real life” friends, a lot of anger and resentment, and very little self-worth, I was a miserable, angsty teenager who pushed everyone away and found solace only in books, writing fan-fiction, and online role playing games.

Until high school. A time of new beginnings. By that time I knew I liked telling stories, and performing in plays became my main outlet. I began to make friends who shared my interests. To find acceptance. And when I was asked to the prom my sophomore year, I received “the push I needed to finally get fit and lose weight!”

I was fifteen.


It started harmlessly. I really did want to get healthy, to feel good in my body for once. I had never been athletic so I started by going to Curves with my mom. The environment was actually very sweet and supportive, mostly women in their 50s+. Then came counting calories and eating meal replacement bars or weight-loss snacks. I was a devoted follower of the Biggest Loser at this time and devoured each weight-loss tip and trick religiously. We had a treadmill in our house and I would walk on it for an hour a day, watching BL and America’s Next Top Model. When I finally got to a point where I didn’t feel embarrassed to work out in public I started going to the YMCA every morning before school, burning my calories on the elliptical and building muscle on the machines. At my lightest, I lost thirty pounds. People--cool kids--started complimenting me. Other boys started noticing me. Everyone was so proud. I got cast in bigger parts in school plays. I could finally enjoy going shopping for clothes. I became a happier person which in turn made me a friendlier person. I became kinder, soft-spoken and demure. I felt beautiful for the first time since I was a little girl. It was a Cinderella story.

Post weight-loss

Until, of course as you all know, I plateaued. I couldn’t cut my calories anymore. I couldn’t ampt up the length of my workouts. I couldn’t keep losing and I couldn’t maintain the weight loss. Enter: binge eating.

“Binge eating disorder (BED) is a severe, life-threatening, and treatable eating disorder characterized by recurrent episodes of eating large quantities of food (often very quickly and to the point of discomfort); a feeling of a loss of control during the binge; experiencing shame, distress or guilt afterwards; and not regularly using unhealthy compensatory measures (e.g., purging) to counter the binge eating. It is the most common eating disorder in the United States.” - www.nationaleatingdisorders.org

I was a regular binge eater from somewhere during my junior year in high school to my second year of college, so just about four years. The cycle was simple: eat as “healthy” (as little and as restrictive) as possible for as long as possible, “fall off the bandwagon,” and then compulsively eat as much food as I could stomach with the promise that tomorrow I would “make up for it” by “cleansing” for a day (only eating fruits and vegetables or something light like cereal.) *Note: I am not saying all cleanses or vegetarians are wrong, just that for me in this time and place it was definitely not a mentally or physically healthy choice.

Diet Cycle

One ordinary day, second semester of my junior year of college, I was speaking with a friend about my current calorie restrictions (less than 1000 a day) and she simply pointed out, “That’s not healthy. You can’t live on that.”

Silly as it sounds, I realized she was right. That’s all it took. A little outside perspective. A reality check.

The Hermione Granger in me knew what to do next: visit the library.

Only after reading up on the various types of eating disorders, disordered eating, and unhealthy behaviors related to weight loss did I realize I needed to make some changes to my lifestyle.

All of this to say, once I finally got to a place where I could start trying to work through my issues surrounding food, fitness, and body image, it became apparent one main cause for my disordered eating was perfectionism.

“Perfectionism is not the same thing as striving to be your best. Perfectionism is the belief that if we live perfect, look perfect, and act perfect, we can minimize or avoid the pain of blame, judgement, and shame. It’s a shield. It’s a twenty-ton shield that we lug around thinking it will protect us when, in fact, it’s the thing that’s really preventing us from flight.” -Brene Brown

Perfectionism. For me perfection was about feeling like I belonged. That friendless pre-teen “loser” was still living inside me and she was terrified. I wanted to feel worthy, to be well-liked. To know I was good enough, without question. This meant getting outside validation, because it sure as hell wasn’t coming from the inside.

In college it meant being within the top ten percent of my class. Always being prepared--studying the material backwards and forward so that I would never be caught not knowing an answer, for not knowing would mean I was failing.

Brene Brown Quote

In regards to my body and disordered eating, my perfectionism manifested in this way:
- feeling superior for eating “clean,” “safe,” “good” foods
- feeling like a failure after eating (or binging) on “bad” “unclean” foods
- eating as little as possible for days at a time to make up for eating “bad” foods
- binging after these periods of starvation - most often on junk food  
- sometimes taking laxatives to try and manage this cycle
- hating my body, constantly scrutinizing it, anxious about how others perceived it
- scrutinizing other people’s bodies, comparing myself to theirs, seeing their body as a marker of their worth
- spending a large chunk of my time obsessed with food, exercise, weight loss, and my body when I could have been making memories and trying new things
- feeling worthless, disgusting, like I was born wrong
- feeling that I didn’t belong and was unworthy of love
- suicidal thoughts* (I never intended to kill myself. I fantasized about it but never wanted to die)

So. How did I get from there to here?

A lot of damn hard work, that’s how. Work that included reading “The Gifts of Imperfection,” and “Rising Strong,” another one by Brene Brown, THERAPY, sharing my story with a select number of supportive friends, bawling my eyes out, growing up. Honestly, I’ll have to write a completely separate post to go into more detail because it’s been (and still is) a long road.

But the good news is I’m here now, past the worst of it, and I haven’t had a binge like the kind I used to have in over five years (if my memory is accurate)!

I’ve decided to share this story NOT because I want sympathy or attention, but because it gives some context as to why I am the person I am today and why I want to dedicate this blog in part to figuring out how to live a normal healthy lifestyle, without dieting.

I’ll close by leaving you with Brene Brown’s Ten Guideposts to Whole Hearted Living. It’s not quite the same unless you’ve read the book, but I love this bomb ass poster made by Leonie Dawson. You can actually download the poster, print it, and color it in yourself if you like.

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New Year, No Diet

Do you remember the person you were five years ago?

Ten?
Fifteen?
Twenty?

Twenty years ago I was six years old. I don’t remember much about that time, but I know I was happy. I had a loving family, a safe home, and plenty of space to be a child.

But I wasn’t a happy person fifteen years ago, or ten, or five. Maybe not even two years ago.

There were definitely moments of triumph, achievements I’m proud of, and relationships I’m eternally thankful for, but no manner of professional or personal success can make up for a lack of emotional well-being. No manner of outside validation can make up for a lack of self-worth.


Hi, my name is Emma and I struggle with disordered eating.


Or I used to. For years now I thought I’d moved past it, but it’s January 1st, 2019 and after eleven years of diet and exercise regime experimentation, after eleven years of bouncing from Weight Watchers to calorie counting to dairy-free, gluten-free, sugar-free, paleo, vegetarian, juice cleanses, diet teas, and back again I still haven’t managed to reach and maintain the body of my dreams.

And I’m tired.


So this year, instead of kicking off my year with the traditional hard core diet and exercise regimen, I’ve decided I’m just going to...not diet.

Instead of dieting I’m going to try and tackle what should be the easiest thing in the world but in our society today seems apparently impossible for the vast majority:

I’m going to figure out how to eat like a normal person.

A healthy normal person, yes, but one who enjoys treats in moderation, without feeling like she’s “breaking rules.” A normal person who can enjoy eating out with friends, instead of seeing it as a “cheat meal” or something to “make up for later.”

A healthy normal person who happens to eat all the food groups. No shade intended towards vegetarians, vegans or anyone with a food allergy. I just happen to enjoy meat and dairy as well as fruits, vegetables and grains, and they don’t make me sick, so I’m going to choose them for myself.

Some of you might be saying to yourself, “whoop-dee-freakin’-doo, Emma.” And that’s ok. Others might be offended by what I’m saying, or feel like I’m attacking their choice to engage in restrictive dieting, and I apologize if it comes off that way. Above all, I respect every human’s right to do whatever they want with their body. You know your body better than anyone, and you know what’s right for you.

But I’m guessing if you’ve gotten this far, a number of you might be feeling the same way I’ve been feeling. Maybe you have a similar relationship to food regardless of your food preferences. And if you do, I invite you to join me this year as I explore the intersection between wanting to feel good and look good (by my own standards), without sacrificing my mental health in the process.

I have a lot of territory I want to explore and questions to ask.

“Is it possible for those recovering from an eating disorder or disordered eating to lose weight in a “healthy way” without falling back into unhealthy behaviors and cycles?”

“How can we say, ‘All bodies are beautiful,’ and love our friends and family no matter their size but then turn around and judge our own bodies?”

“How do I even cook food that isn’t “diet” food?”


If you’re game to participate in the conversation, thank you. If not, that’s cool too. I wish everyone the best in your journey to “making peace” with food and your body in our body-image warping society.

My next post will include a little background on my own struggles with food, body image, and perfectionism. If you care to hear where I’m coming from, click this link, and if not stay tuned for future posts in which I’ll share videos and articles, and pose and try to answer questions about food, body-image, exercise, and the pressures of society that keep us in a constant state of feeling like we’re not enough.

Until then, I’ll leave you with this #truthbomb by Danielle LaPorte.

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~This is Halloween, this is Halloween~

Today is the daaaaaaay

It’s ~Halloween!!!~

And I’m home sick with the flu. :(

Silver lining: I’ve finally had time to catch up on some playwriting work, mainly, uploading scripts to the New Play Exchange and updating this website!

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Today I went back, read all of my past blog entries and thought to myself, “Damn…I’ve done a lot!”

And not just this year. Last year too, and the year before that!

First and foremost, I adopted an adorable cat named Lux. Follow me on Instagram if you want this fuzzy face flooding your feed.

But back to theater.

(To be perfectly honest, this is my second time writing this half of the post because the first one was accidentally deleted, so I’m just going to cut to the chase.)

A little over a year ago I decided to transition from working as a part-time ticket clerk, part-time artist to a full-time freelance artist. My goal: try to survive for a year on all my theater-related jobs patched together, apply for graduate school, and focus on writing.

Well, it’s been a year and I’m still alive so, check.

I worked my butt off applying for graduate school, received one offer, and turned it down because it didn’t feel right.

And I’ve written two new full-length plays in that time, one a musical, one a straight play.

Of all my goals, that last one feels like the one I didn’t quite meet. I thought being freelance would give me more time to write, but not so much. There have been pros and cons to going freelance.

Pros of Going Freelance

  • Make money doing what I love - not soul crushing

  • Flexibility of schedule - I don’t have to “ask off” work, I control what jobs I accept and don’t accept

  • Always a new adventure - I’m not stuck behind a desk, in a windowless office, with a phone in my ear. Some days I’m dancing with preschools, other days I’m filming a Fruit Loops commercial in someone’s pool.

  • Opportunities to work from home - Again, not stuck in an office, I have time to actually spend in my apartment with my cat!

Cons of Going Freelance

  • Financial instability - always nervous about having enough money to get by

  • Divided attention span - sometimes I do 2-3 different jobs a day and by the end of it I am mentally exhausted from switching mental gears and driving all over

  • Feels like I’m not a real adult - I don’t have a house, a 401K, a baby or a marriage. Compared to some of my friends, I don’t feel like a “real” adult.

  • Ultimately unsustainable - I haven’t been able to save money, only just get by.

So I’m at a crossroads right now. I could either…

  1. Try to find a way to make freelance life for sustainable (like, improve my skills and work as a grant writer or a copy writer, not just a teacher/actor)

  2. Get a full-time day job, with benefits, that I actually like

  3. Apply for graduate school again and maybe do that

  4. Marry rich or inherit a large sum of money from a long-lost relative

We’ll see what happens. (FYI universe, I’m open to any of these paths, so uh...let’s start manifesting, eh?)

Let me be clear though; I’m proud of what I’ve accomplished. I’ve worked a lot this last year. I’ve grown as a person and an artist. I’ve pushed myself. I’ve taken risks. I have experienced some crazy things. And I’ve made the world a better place through the work I’ve done.

No matter what happens next, I will never regret choosing to jump into freelance full-time. I will never regret this time in my life.

And just in case anyone is curious, here’s a list of all the gigs I string together on a regular basis. This is my version of being a freelance artist:

  • Standardized patient for two different colleges

  • Pre-K ballet teacher with Tippi Toes

  • Teaching Artist with the Johnson County Arts & Heritage Center

  • Teaching Artist with Kansas City Young Audiences

  • Teaching Artist with The Coterie

  • Scavenger Hunt Host with Watson Adventures

  • Actress with Dinner Detective Kansas City

  • Radio VO actress

  • Theatrical actress/director

  • Commercial actress/print model (occasionally)

  • Box Office/Front of House

  • Girl Scout empowerment workshops

  • Creative Carnivals attendant

Alright, time for this sicky to hit the hay. Until next time. Happy Halloween!

Like a Virgin

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As usual, it’s been too long since my last post. It’s hard to keep up with documenting your life when you’re too busy living it.

This was my first opportunity to play the lead role in a fully staged production in Kansas City! Let me tell you, I was pretty nervous stepping into a company of talented actors who (except for Damian, Hollis, and I) were reprising their original roles, however, as rehearsals progressed I started to find my Mary Sue and figure out how she fit into the crazy world around her.

After a whirlwind eleven-day rehearsal/tech process we ran for two weeks. I only wish we could have spent more time together, because one of the best aspects of being a part of this show was the company involved. Every single person in this cast and crew is someone I feel lucky to be working with for the first time, or was overjoyed to work with again, and now and I hope to work with EVERYONE in the Glitterbang company again very soon.

J. Will Fritz, Damian Blake, R. H Wilhoit, Ellen Kirk, Jesse Ray Metcalf, Emma Carter, Briana Marxen-McCollom, Melissa Fennewald, Bonnie Griffin, Ai Vi Bui, Alisa Lynn.

J. Will Fritz, Damian Blake, R. H Wilhoit, Ellen Kirk, Jesse Ray Metcalf, Emma Carter, Briana Marxen-McCollom, Melissa Fennewald, Bonnie Griffin, Ai Vi Bui, Alisa Lynn.

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“They just want me…”

“They just want me…”

Mother, Father, and the Virgin.

Mother, Father, and the Virgin.

So what’s up next, you ask? Pull on a sweater, order yourself a Pumpkin spice latte and saddle on up for some spooktacular storytelling, because Kansas City Horror Play Festival is back! We JUST closed submissions for ten-minute plays from local playwrights. This year I’m participating as a director alongside Matt Rapport, Jesse Ray Metcalf, and the event’s creator, Erika Baker. More news to come…

xoxo

Emma

#GodToldMeTo

Last weekend we performed "Seven and Ten" by Prisca Jabet Kendagore at The Pearl in Kansas City, MO. Last night we brought our reading to The Monicle in St. Louis, and we have one more performance tonight. It's been such a treat to dig my teeth into this beautiful script full of complex characters. I read for Sara, a young, white, Christian woman who dreams of being a wife and a mother. She's known since she was twelve what God has planned for her, and although she is strong in her faith she struggles to thrive in the mold the church has given her. I've never had the chance to play such a real, flawed, earnest human and I can't thank Prisca and the universe enough for giving me this opportunity. 

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I have two projects cooking for next week: SPELLBOUND qualified as a finalist in the Olathe Civic Theater New Works Playwright Competition! We're presenting a ten-minute teaser of our musical on March 2nd and 3rd at the Olathe Civic Theater, along-side four other finalists. The audiences who attend these teaser nights will then vote for which show they want to see fully staged in a workshop production! It's a fantastic, local opportunity and we're so excited to be participating. 
 

OCTA

On top of that I'm directing for the Fishtank Theatre’s Along The Line New Play Festival, a rapid-fire, theatrical response to a specific moment in history. This production contains 75 very, very short plays. (60 seconds or less.) It is a collection of the community conscious, a tool that contains, supports, and expresses many voices in one given community in one theatrical event, giving each voice equal weight. This work is about what the group has to say, not about individual plays. It’s not about “short attention span”, or “twitter theatre” or a “time race.” It actually requires great concentration to take in and process what this many voices are tuning into. It’s closer to epic theatre, than short form theatre in most every way. It’s one body of work, one cohort of artists, and one program.

I'm both a writer and a director in this process. At this point my responsibilities include directing  a chunk of twelve one-minute plays with my ensemble of fantastic actors, who include Matt Leonard, Margaret Shelby, Melissa Fennewald, Dashawn Young, Alexis Dupree, Joseph De Maria and Liz Kerlin. So far I love working with my playwrights, cast, and our BA stage manager Sonia Jacobsen. I can't wait to see all of the other plays in tech! 

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